Twin Cities campus

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Twin Cities Campus

Art History B.A.

Art History
College of Liberal Arts
  • Program Type: Baccalaureate
  • Requirements for this program are current for Spring 2016
  • Required credits to graduate with this degree: 120
  • Required credits within the major: 31 to 33
  • Degree: Bachelor of Arts
Art History is the study of the visual world, both past and present. It looks closely at a wide array of images, objects, buildings, and sites in order to better understand human societies. Art History operates with the understanding that visual/material artifacts may speak more directly and deeply about a culture than its written record. Put another way, if a picture is worth a thousand words, then Art History equips students to read it. This is called "visual literacy" and it is an invaluable skill in our increasingly visual world. Students in Art History learn to analyze a wide variety of artifacts from all geographic regions and historical eras, including our own. Not limited strictly to the so-called "fine arts," Art History seeks to understand visual and material culture more broadly: from paintings and sculpture, to architecture and urban design; from films and photographs, to ceramics and textiles; from scientific illustration and political posters, to performance art and street graffiti. Through engaging closely with these and other forms of visual expression, students of Art History become adept practitioners of the following skills: visual analysis and interpretation, original research and careful argumentation, image-based thinking and communication, and clear and persuasive writing in a variety of modes (e.g., analytical, creative, and journalistic). Engaging visual approaches to learning and thinking, Art History prepares a diverse student body for a variety of professional tracks. Graduates from this major go on to enjoy careers in the following fields: visual arts (e.g., art criticism, art appraisal and sales, art therapy, fashion, interior design, museums, and conservation), the humanities (e.g., grant writing, historic preservation, and philanthropy), media and marketing (e.g., advertising, film, journalism, radio, and television), K-12 and post-secondary education (e.g., teaching and administration), information science and collections management (e.g., libraries and archives in public, non-profit, and corporate contexts), and medicine and law, two fields that have long prized Art History alumni for their analytical precision, skills at information mastery, and "right-brain/left-brain" balance. For these and other reasons, students of Art History go on to enjoy higher job satisfaction and lower unemployment rates over the course of their working lives than peers in vocational tracks. Majors in Art History are required to fulfill a variety of distribution requirements across geographic regions and historical eras; one studio art class is also required for the major. Most classes have no prerequisites. The 30-unit credit for the major makes it an attractive option for double-majors and transfer students. Students considering pursuing graduate-level work in the discipline should aim to take more than the required two 5xxx-level courses, with as many professors in the department as possible; they should also strongly consider making French or German their chosen foreign language.
Program Delivery
This program is available:
  • via classroom (the majority of instruction is face-to-face)
Admission Requirements
For information about University of Minnesota admission requirements, visit the Office of Admissions website.
General Requirements
All students in baccalaureate degree programs are required to complete general University and college requirements including writing and liberal education courses. For more information about University-wide requirements, see the liberal education requirements. Required courses for the major, minor or certificate in which a student receives a D grade (with or without plus or minus) do not count toward the major, minor or certificate (including transfer courses).
Program Requirements
Students are required to complete 4 semester(s) of any second language. with a grade of C-, or better, or S, or demonstrate proficiency in the language(s) as defined by the department or college.
The major consists of nine courses in Art History, one course in Art, and the senior project, for a minimum of 31 credits. All courses must be taken A-F. A minimum of 13 upper-division credits of major coursework must be taken at the University of Minnesota - Twin Cities campus. No more than three credits of ARTH 3975, 3993, 5993, or 5994 may be used to fulfill major requirements. Students who double-major and choose to complete the senior project in their other major are still responsible for taking 31 total ARTH credits. Students are encouraged to take courses from a variety of instructors to ensure exposure to various approaches and methods. Students may earn a B.A. or a minor in art history, but not both. Beginning fall 2012, all incoming CLA freshmen must complete the appropriate First Year Experience course sequence. Specific information about this collegiate requirement can be found at: http://class.umn.edu/degree_requirements/index.html
Art History Foundation
ARTH 1001 - Introduction to Western Art [AH] (4.0 cr)
or ARTH 1002W - Why Art Matters [AH, GP, WI] (4.0 cr)
or ARTH 1004W - Introduction to Asian Art [HIS, WI] (4.0 cr)
Art Practice
This course must be hands-on, and focused on the practice, rather than the history, of art. Other courses not on the list may fulfill this requirement, but only with prior approval from the undergraduate adviser or director of undergraduate studies.
Take 1 or more course(s) totaling 3 - 4 credit(s) from the following:
· ARTS 1101 - Introduction to Drawing [AH] (4.0 cr)
· ARTS 1102 - Introduction to Painting [AH] (4.0 cr)
· ARTS 1802 - Introduction to Sculpture: Understanding the Fundamentals of the Practice of Sculpture [AH] (4.0 cr)
· ARTS 1501 {Inactive} [AH] (4.0 cr)
· ARTS 1103 - Introduction to Printmaking: Relief, Screen and Digital Processes [AH] (4.0 cr)
· ARTS 1505 {Inactive} (4.0 cr)
· ARTS 1704 - Introduction to Moving Images [AH] (4.0 cr)
· ARTS 1701 - Introduction to Photography [AH] (4.0 cr)
· ARTS 1801 - Introduction to Ceramics: Wheel-Throwing and Hand-Building Techniques [AH] (4.0 cr)
· ARTS 1902 {Inactive} (3.0 cr)
· ARTS 1905 {Inactive} (3.0 cr)
· ARTS 1910W {Inactive} [WI] (3.0 cr)
· ARTS 2101 {Inactive} [AH] (4.0 cr)
· ARTS 2102 {Inactive} (4.0 cr)
· ARTS 2301 {Inactive} [AH] (4.0 cr)
· ARTS 2501 {Inactive} [AH] (4.0 cr)
· ARTS 2502 {Inactive} [AH] (4.0 cr)
· ARTS 2601 {Inactive} [AH] (4.0 cr)
· ARTS 2701 {Inactive} [AH] (4.0 cr)
· ARTS 2801 {Inactive} [AH] (4.0 cr)
Art History Electives
Take 8 courses: six 3xxx and two 5xxx courses, spanning all 3 time periods and 2 geographic/cultural areas. One ARTH 1xxx may be substituted for an ARTH 3xxx course. Up to 3 credits of directed museum experience (ARTH 3975), or directed study (ARTH 3993/5993), or directed research (ARTH 5994) may count. Some courses span across time periods and geographic/cultural areas. Consult with the program adviser or director of undergraduate studies to determine which requirements these courses fulfill.
Take 8 or more course(s) totaling 24 or more credit(s) from the following:
Era I: Ancient to ca. 1300
Take 1 or more course(s) from the following:
Area: North America and Europe
Take 0 or more course(s) from the following:
· ARTH 3009 - Intersectional Medieval Art [AH] (3.0 cr)
· ARTH 3152 - Art and Archaeology of Ancient Greece [HIS] (3.0 cr)
· ARTH 3162 - Roman Art and Archaeology [HIS] (3.0 cr)
· ARTH 5112 {Inactive} (3.0 cr)
· Area: Middle East and/or Islamic World
Take 0 or more course(s) from the following:
· ARTH 3182 - Egypt and Western Asia: Art and Archaeology of Ancient Egypt and Western Asia [AH, GP] (3.0 cr)
· ARTH 5115 {Inactive} (3.0 cr)
· ARTH 5192 {Inactive} (3.0 cr)
· South and/or East Asia
Take 0 or more course(s) from the following:
· ARTH 5765 {Inactive} (3.0 cr)
· ARTH 5775 {Inactive} (3.0 cr)
· Era II: ca. 1300 to 1800
Take 1 or more course(s) from the following:
Area: North America and Europe
Take 0 or more course(s) from the following:
· ARTH 3309 - Renaissance Art in Europe [AH] (3.0 cr)
· ARTH 3311 - Baroque Art in Seventeenth Century Europe [AH] (3.0 cr)
· ARTH 3312 - European Art of the Eighteenth Century: Rococo to Revolution [HIS] (3.0 cr)
· ARTH 3315 - The Age of Curiosity: Art, Science & Technology in Europe, 1400-1800 [AH, TS] (3.0 cr)
· ARTH 3335 - Baroque Rome: Art and Politics in the Papal Capital [HIS] (3.0 cr)
· ARTH 5302 - The Image Multiplied: Prints in Early Modern Europe (3.0 cr)
· ARTH 5323 {Inactive} (3.0 cr)
· ARTH 5324 {Inactive} (3.0 cr)
· ARTH 5335 - Baroque Rome: Art and Politics in the Papal Capital (3.0 cr)
· Latin America
Take 0 or more course(s) from the following:
· ARTH 5325 {Inactive} (3.0 cr)
· Era III: 1800 to Present
Take 1 or more course(s) from the following:
Area: North America and Europe
Take 0 or more course(s) from the following:
· ARTH 3005 - Identity and American Art [AH] (3.0 cr)
· ARTH 3012 - 19th and 20th Century Art (3.0 cr)
· ARTH 3422 {Inactive} (3.0 cr)
· ARTH 3484 {Inactive} (4.0 cr)
· ARTH 3577 - Photo Nation: Photography in America [AH] (3.0 cr)
· ARTH 3655 - African-American Cinema [AH, DSJ] (3.0 cr)
· ARTH 5411 {Inactive} (3.0 cr)
· ARTH 5417 {Inactive} (3.0 cr)
· ARTH 5454 {Inactive} (3.0 cr)
· ARTH 5546 {Inactive} (3.0 cr)
· ARTH 5575 - Boom to Bust: American Art from the Roaring Twenties to the Great Depression (3.0 cr)
· ARTH 5577 {Inactive} (3.0 cr)
· ARTH 5655 - African-American Cinema [AH, DSJ] (3.0 cr)
· Courses Spanning Across Time Periods and Areas: Consult with adviser.
Take 0 or more course(s) from the following:
· ARTH 1001 - Introduction to Western Art [AH] (4.0 cr)
· ARTH 1002W - Why Art Matters [AH, GP, WI] (4.0 cr)
· ARTH 1004W - Introduction to Asian Art [HIS, WI] (4.0 cr)
· ARTH 1910W {Inactive} [WI] (3.0 cr)
· ARTH 1921W - Introduction to Film Study [AH, WI] (4.0 cr)
· ARTH 3013 {Inactive} [GP] (3.0 cr)
· ARTH 3014W - Art of India [AH, GP, WI] (3.0 cr)
· ARTH 3015W - Art of Islam [AH, GP, WI] (3.0 cr)
· ARTH 3017 {Inactive} [AH, GP] (4.0 cr)
· ARTH 3205 {Inactive} [AH] (3.0 cr)
· ARTH 3208 {Inactive} [AH, GP] (3.0 cr)
· ARTH 3401W - Art on Trial [AH, CIV, WI] (3.0 cr)
· ARTH 3422 {Inactive} (3.0 cr)
· ARTH 3434 - Art and the Environment [AH, ENV] (3.0 cr)
· ARTH 3464 - Art Since 1945 [HIS] (3.0 cr)
· ARTH 3921W - Art of the Film [AH, WI] (4.0 cr)
· ARTH 5930 {Inactive} (3.0 cr)
· ARTH 3940 {Inactive} (1.0-4.0 cr)
· ARTH 3896 - Directed Professional Experience (1.0-2.0 cr)
· ARTH 3993 - Directed Study (1.0-4.0 cr)
· ARTH 5301 {Inactive} (3.0 cr)
· ARTH 5325 {Inactive} (3.0 cr)
· ARTH 5413 - Alternative Media: Video, Performance, Digital Art (3.0 cr)
· ARTH 5422 - Off the Wall: History of Graphic Arts in Europe and America in the Modern Age (3.0 cr)
· ARTH 5466 - Contemporary Art (3.0 cr)
· ARTH 5766 - Chinese Painting (3.0 cr)
· ARTH 5777 - The Diversity of Traditions: Indian Empires after 1200 (3.0 cr)
· ARTH 5781 - Age of Empire: The Mughals, Safavids, and Ottomans (3.0 cr)
· ARTH 5785 {Inactive} (3.0 cr)
· ARTH 5801 {Inactive} (3.0 cr)
· ARTH 5802 {Inactive} (3.0 cr)
· ARTH 5950 - Topics: Art History (3.0 cr)
· ARTH 5993 - Directed Study (1.0-4.0 cr)
Senior Project
Take ARTH 3971W (honors students should enroll in ARTH 3971V). With permission from the course instructor, students select a research paper previously written in an ARTH 5xxx course and develop it into their senior project. The department strongly recommends that students complete the ARTH 5xxx course at least one semester prior to enrolling in ARTH 3971W/V. Concurrent registration in the ARTH 5xxx course and ARTH 3971W/V is permissible, however.
ARTH 3971W - Art History Capstone [WI] (3.0 cr)
or ARTH 3971V - Honors: Art History Capstone [WI] (3.0 cr)
Upper-division Writing Intensive within the major
Students are required to take one upper-division Writing Intensive course within the major. If that requirement has not been satisfied within the core major requirements, students must choose one course from the following list. Some of these courses may also fulfill other major requirements.
Take 0 - 1 course(s) from the following:
· ARTH 3971W - Art History Capstone [WI] (3.0 cr)
· ARTH 3971V - Honors: Art History Capstone [WI] (3.0 cr)
 
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· Art History B.A.
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ARTH 1001 - Introduction to Western Art (AH)
Credits: 4.0 [max 4.0]
Typically offered: Every Spring
This course serves as a general introduction to key questions about the nature and history of art in the West from the prehistoric to contemporary eras: Who creates art and why? What unique insights does it provide into the past? And, finally, what good does art do? Organized around these three central questions, lectures, readings, and assignments will address several themes, central to understanding the history of Western art in a wider global context: (1) the forms, functions, and symbolism of images, objects, and spaces; (2) materials, techniques, and skills deployed by artists, architects, artisans, and laborers to make aesthetic objects; (3) the historical and cultural construction of visual experiences; and (4) customs, beliefs, and values associated with art production, collection, and exhibition in various cultures, including patronage, fame, trade, cross-cultural influence, authenticity, and reproduction.
ARTH 1002W - Why Art Matters (AH, GP, WI)
Credits: 4.0 [max 4.0]
Typically offered: Every Fall
Introduction to history of topics that investigate power/importance of art both globablly and in its diverse forms, from architecture and painting to video and prints. Sacred space, propaganda, the museum, art/gender, art/authority, tourism.
ARTH 1004W - Introduction to Asian Art (HIS, WI)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtH 1004W/1004V/1016W/1016V
Typically offered: Every Fall & Spring
This one-semester course is an introduction to painting, sculpture, and architecture from South, Southeast, and East Asia. It will cover works from ancient cultures to those of contemporary Asian diasporas. Resisting the impossible task of covering everything, we will instead home in on specific objects in order to understand them in their broader cultural, religious, and social contexts. We will trace the ways in which common themes and problems appear in different art forms and in different places, and we will discover the ways in which seemingly disparate styles and objects may be productively understood in conversation with each other. We will work together to create an interpretive model that is synthetic, critical, and appreciative of the enormously diverse field that is Asian Art. Lectures will move from explanatory descriptions of objects and histories that are covered in the textbook to critical interpretations of the historiographies that shape the contemporary reception of Asian art.
ARTS 1101 - Introduction to Drawing (AH)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtS 1101/ArtS 2101
Typically offered: Every Fall, Spring & Summer
This is an introductory studio course in drawing with an emphasis on representation from direct observation. Students are exposed to the ideas, methods, and materials of drawing. Fundamental elements such as line, value, texture, shape, and space are explored in works using media such as graphite, charcoal, and ink on a variety of surfaces. Found and other source materials are utilized in collage and mixed-media works. Students will create original work based on observation and imagination in hands-on exercises and projects. This rigorous course will also introduce techniques and methods to realize and evaluate visual ideas. Students will draw from a live model in order to further develop observational drawing skills. Technical demonstrations, lectures, and exhibition visits will provide starting points for further explorations. Individual and group critiques will help students address technical concerns and contextualize their work within the rich history of drawing. We will develop the verbal and analytical skills necessary to critically examine students' work. Studio work outside of class time is expected.
ARTS 1102 - Introduction to Painting (AH)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtS 1102/ArtS 2102
Typically offered: Every Fall, Spring & Summer
This is an introductory studio course that will focus on the fundamentals of painting (oil and/or acrylic). We will explore a variety of media, techniques, and subject matter. Our assignments will emphasize developing the skills and understanding of basic painting fundamentals, using traditional and experimental approaches to painting, such as: color mixing and relationships, tone, mark-making, texture, abstraction, space, and visual language. There will be demonstrations, practice, field trip(s) and class discussion. We will develop the verbal and analytical skills necessary to critically examine students' work. We will look at historical and contemporary painters. This course provides an introduction the creative process through hands-on investigation, observation of the immediate environment, and the exploring the artist's imagination. Studio work outside of class is expected.
ARTS 1802 - Introduction to Sculpture: Understanding the Fundamentals of the Practice of Sculpture (AH)
Credits: 4.0 [max 4.0]
Typically offered: Every Fall, Spring & Summer
This course is aimed at students who are eager to creatively take risks, experiment, play, and work in an environment of collaboration and team learning experiences. This intro level course is the foundation for sculpture. Through hands-on demonstrations of basic sculptural processes (for example: carving, modeling, assembling, and casting) you will gain experience in developing art projects from idea to realization all the way to the final surprising artwork. Throughout the semester we will be looking at contemporary and historical works of art as examples of how a broad range of diverse artists have explored the concepts and materials they use in their work and how this applies to the work you create. Critiques will be used as a tool for developing critical thinking and project development. You can expect by the end of this course to discover your individual creative processes and feel comfortable and safe working independently in a sculpture studio. You will be prepared for advanced sculpture and foundry and metal casting courses.
ARTS 1103 - Introduction to Printmaking: Relief, Screen and Digital Processes (AH)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtS 1103/ArtS 2502
Typically offered: Every Fall, Spring & Summer
Students will be introduced to techniques of relief printing using oil based inks, screenprinting using water based inks, and digital printmaking. Relief projects (linoleum and woodcut) emphasize the exploration of mark making, printing techniques and color layering. Screen print and digital applications will explore layering, color and image making strategies. Students will learn digital strategies for creating images in screen printing, working from both photo and drawn sources. The course includes the historical context and recent innovations for each process in order to develop contemporary applications for these each method. Students will develop meaningful content in conjunction with the acquisition of technical skills. Individual and group critiques will help students to address technical concerns and contextualize their work within the rich history of printmaking. Studio work outside of scheduled class time is expected.
ARTS 1704 - Introduction to Moving Images (AH)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtS 1704/ArtS 2601
Typically offered: Every Fall, Spring & Summer
Do you want to engage with a medium of the everyday? From watching a film to making a video of a friend or family reunion, moving images are all around. This is an introductory, hands-on studio course in digital filmmaking. Through lectures, screenings, demonstrations, hands-on practice, readings, and discussions, this course will cover practical and theoretical elements of digital filmmaking. Students will be introduced to film language, aesthetics, and technical terminology, as well as camera, lighting, sound and editing. Throughout the semester we will view and discuss films and clips from a variety of genres, including narrative, documentary, experimental, and combinations thereof. Students create several short film projects. They also develop skills in critical evaluation through critique sessions that investigate the aesthetic, technical, and cultural interpretation of moving images. As filmmakers you are free to make films in any genre in this class. Students need to provide their own portable drive and 1 - 2 SD cards for each class, and may choose to purchase their own subscription to Adobe Creative Cloud if they wish to use their own computer. This course is the prerequisite for intermediate level Department of Art courses in Moving Images including Narrative Digital Filmmaking, Experimental Film and Video, Animation, Super 8 and 16mm Filmmaking.
ARTS 1701 - Introduction to Photography (AH)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtS 1701/ArtS 2701
Typically offered: Every Fall, Spring & Summer
Want to take photography to the next level beyond the phone in your pocket? Photography is a way to understand and explore the world and your own inner life. This class incorporates both digital and analog (black and white darkroom) technologies. It will emphasize a balance of technical skills, exploration of personal vision, and development of critical thinking and vocabulary relating to photography. Your own image making will be considered in the context of photographic history, visual literacy, and the universe of imagery in which we live. Half of the semester will be devoted to B&W film and darkroom, and half to digital cameras and processes. Students will learn the fundamentals of digital and film camera operation and will be introduced to digital imaging software and printing. We will cover refined digital capture, image adjustment/manipulation and inkjet printing methods. Class activities will consist of lectures and demonstrations, individual and group exercises, project assignments, lab time, field trips and student presentations. Students? work will be constructively discussed in class and small group critique sessions. 35mm film cameras will be provided. The class requires students to have their own digital camera (a limited number of cameras are available for students unable to provide their own). Students who have no prior experience with serious photography, as well as those who are already avid photographers, are both welcome. The class serves as a prerequisite for all 3000 level photography classes.
ARTS 1801 - Introduction to Ceramics: Wheel-Throwing and Hand-Building Techniques (AH)
Credits: 4.0 [max 4.0]
Typically offered: Every Fall, Spring & Summer
Are you interested in working with a material and practice that dates back 20,000 plus years? The creative journey in this course includes learning about diverse global histories, people, and cultures and the dynamic realm of contemporary ceramics. This introductory ceramic course focuses on the various methods and processes of working with clay as an artistic medium. One half of the semester focuses on hand-building methods and techniques. The other half will focus on learning wheel-throwing methods and techniques. This hands-on experience with clay unifies hand, eye, and mind. You will learn foundational three-dimensional concepts, terminology, and vocabulary related to ceramics and explore the range of forms and processes to create functional and sculptural works with clay. In addition, the curriculum places importance on creating space to examine and discuss diverse historical and contemporary global perspectives related to ceramics. You will learn to make clay, load electric and gas kilns, fundamentals of glaze chemistry, and ceramic lab health and safety protocols. Your finished pieces will reflect essential skills, techniques, and knowledge of the complete ceramic production process. This course provides relevant, challenging, and rewarding projects developing creative and critical thinking skills to sustain long-term creative growth. You will be supported with meaningful direction from your instructor and constructive critique, discussion, and self-reflection with peers. At the end of this course, your knowledge and technical skills will prepare you for upper-level ceramic courses.
ARTH 3009 - Intersectional Medieval Art (AH)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3009/MeSt 3009/RelS 3609
Typically offered: Periodic Fall & Spring
Grounded in critical race theory, intersectionality, and queer theory, this class draws on primary texts and a range of visual and material sources to trace the histories, experiences, and representations of marginalized identities in the medieval world. We will consider gender, sexuality, and race in the context of Jewish, Christian, and Islamic cultures during the Middle Ages. This class will examine topics including transgender saints, miraculous transformations, demonic possession, female artists and patrons, the "monstrous races" of travel accounts, and gender-affirming surgeries. In contrast to misconceptions of a homogenous white European past, the reality of medieval Europe was diverse and complex, and its boundaries - geographical, cultural, bodily, and otherwise - were in flux, as reflected in its visual and material culture.
ARTH 3152 - Art and Archaeology of Ancient Greece (HIS)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3152/CNES 3152
Typically offered: Periodic Fall & Spring
This course will provide an introduction to the history of Greek art, architecture and archaeology from the formation of the Greek city states in the ninth century BCE, through the expansion of Greek culture across the Mediterranean and Asia in the Hellenistic period, to the coming of Rome in the first century BCE. While this survey concentrates on the main developments of Greek art, an important sub-theme of this course this is the changes Classical visual culture underwent as it served non-Greek peoples, including the role it played for Alexander and his successors in forging multiethnic, globally minded empires in Western, Central and South Asia. No background in the time period or discipline is expected and therefore this class will also serve as an introduction to interdisciplinary study of art history and the classical world. A number of art historical methodologies will be introduced in order to not only give students a useful background in art history but to give them the tools to think as art historians and incorporate related visual and textual evidence meaningfully into their writing.
ARTH 3162 - Roman Art and Archaeology (HIS)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3162/CNES 3162
Typically offered: Fall Odd, Spring Even Year
Introduction to history of Roman art, from formation of city-state of Rome under Etruscan domination, to transformation of visual culture in late antiquity under peoples influenced by the Romans.
ARTH 3182 - Egypt and Western Asia: Art and Archaeology of Ancient Egypt and Western Asia (AH, GP)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3182/CNES 3182/RelS 3182
Typically offered: Every Fall & Spring
This course will provide students with foundational knowledge in the art, architecture, and archaeology of Egypt, East Africa, Asia Minor, Mesopotamia, Iran and Central Asia from the Neolithic through Late Antiquity (ca. 7,000 B.C.E. - 650 C.E.). Students will gain an understanding of the relationship between the visual material and the social, intellectual, political, and religious contexts in which it developed and functioned. In this regard, students will also gain an understanding of the evolution of, and exchanges and differences among, the visual cultures of these time periods and regions. It will also expose them to the preconditions for contemporary geopolitics in the region.
ARTH 3309 - Renaissance Art in Europe (AH)
Credits: 3.0 [max 3.0]
Grading Basis: A-F or Aud
Typically offered: Every Fall & Spring
Major monuments of painting/sculpture in Western Europe, 1400-1600. Close reading of individual works in historical context. Influence of patrons. Major social/political changes such as Renaissance humanism, Protestant Reformation, market economy.
ARTH 3311 - Baroque Art in Seventeenth Century Europe (AH)
Credits: 3.0 [max 3.0]
Typically offered: Every Spring
Dominant trends/figures of Italian, French, Flemish, and Dutch Baroque period. Works of major masters, including Caravaggio, Bernini, Poussin, Velazquez, Rembrandt, and Rubens. Development of illusionistic ceiling decoration. Theoretical basis of Baroque art. Art's subservience to Church and royal court.
ARTH 3312 - European Art of the Eighteenth Century: Rococo to Revolution (HIS)
Credits: 3.0 [max 3.0]
Typically offered: Every Fall
Major developments in 18-century painting, sculpture, and interior decoration, from emergence of Rococo to dawn of Neoclassicism. Response of art to new forms of patronage. Erotics of 18-century art. Ways art functioned as social/political commentary.
ARTH 3315 - The Age of Curiosity: Art, Science & Technology in Europe, 1400-1800 (AH, TS)
Credits: 3.0 [max 3.0]
Course Equivalencies: ARTH 3315/HIST 3708/ARTH 5315/
Typically offered: Periodic Fall & Spring
Diverse ways in which making of art and scientific knowledge intersected in early modern Europe. Connections between scientific curiosity and visual arts in major artists (e.g., da Vinci, Durer, Vermeer, Rembrandt). Artfulness of scientific imagery/diagrams, geographical maps, cabinets of curiosities, and new visual technologies, such as the telescope and microscope.
ARTH 3335 - Baroque Rome: Art and Politics in the Papal Capital (HIS)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3335/Rels 3162/Hist 3706/
Typically offered: Fall Odd Year
This course explores the center of Baroque culture?Rome?as a city of spectacle and pageantry. The urban development of the city, as well as major works in painting, sculpture, and architecture, are considered within their political and religious context, with special emphasis on the ecclesiastical and private patrons who transformed the Eternal City into one of the world?s great capitals.
ARTH 5302 - The Image Multiplied: Prints in Early Modern Europe
Credits: 3.0 [max 3.0]
Grading Basis: A-F only
Typically offered: Periodic Fall & Spring
The technology of mechanically reproducing complex visual images on paper, a development of fifteenth-century Europe, transformed the early modern world no less than the emergence of digital media has transformed our own. Techniques of woodcut, engraving and etching quickly became important media for innovation within the fine arts. At the same time, they became equally important as sources for devotional imagery, for disseminating copies of other artworks, for the expansion of knowledge through scientific illustration, and for the effective broadcasting of political and religious messages during centuries of extraordinary political and religious upheaval. In this course we will investigate the cultural history of printed images in Europe from the time of their emergence in the fifteenth century through the mid-eighteenth century. Through lectures and class discussion, you will develop a familiarity with the technical aspects of printmaking and apply that understanding to the historical interpretation of specific works. The course will not be an exhaustive survey of printmakers and printmaking styles during the early modern era but will instead approach the early modern print through the changing cultural circumstances of its production and reception. While we will consider the work of many lesser-known (and anonymous) artists, we will concentrate on the work of major printmakers such as Mantegna, Dürer, Goltzius, Rembrandt, Callot, Hogarth, and Piranesi. The course will include visits to local collections.
ARTH 5335 - Baroque Rome: Art and Politics in the Papal Capital
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3335/Rels 3162/Hist 3706/
Typically offered: Fall Odd Year
This course explores the center of Baroque culture --Rome-- as a city of spectacle and pageantry. The urban development of the city, as well as major works in painting, sculpture, and architecture, are considered within their political and religious context, with special emphasis on the ecclesiastical and private patrons who transformed the Eternal City into one of the world's great capitals.
ARTH 3005 - Identity and American Art (AH)
Credits: 3.0 [max 4.0]
Typically offered: Periodic Fall & Spring
This course is designed to help you think about American history, experiences, and identities by looking closely at the visual record of painting, sculpture, decorative/applied arts, and other sites and artifacts made in the United States, from the colonial period to the rise of the Cold War in the 1950s-60s. Our particular interest will be to understand how "America" is an idea that has been continually shaped, expressed, represented, and even contested through the visual and material world.
ARTH 3012 - 19th and 20th Century Art
Credits: 3.0 [max 3.0]
Typically offered: Every Fall, Spring & Summer
Major monuments/issues of modern period. Sculpture, architecture, painting, prints. Neo-classicism, romanticism, realism, impressionism, evolution of modernism, symbolism, fauvism, cubism, dadaism, surrealism, abstract expressionism, pop art, conceptualism, postmodernism.
ARTH 3577 - Photo Nation: Photography in America (AH)
Credits: 3.0 [max 3.0]
Typically offered: Every Fall & Spring
Development of photography, from 19th century to present. Photography as legitimate art form. Portraits/photo albums in culture. Birth of criminal justice system. Technological/market aspects. Politics of aesthetics. Women in photography. Ways in which idea of America has been shaped by photographs.
ARTH 3655 - African-American Cinema (AH, DSJ)
Credits: 3.0 [max 3.0]
Course Equivalencies: Afro 3655/ArtH 3655/ArtH 5655
Typically offered: Spring Even Year
African American cinematic achievements from silent films of Oscar Micheaux through contemporary Hollywood and independent films. Class screenings, critical readings.
ARTH 5575 - Boom to Bust: American Art from the Roaring Twenties to the Great Depression
Credits: 3.0 [max 3.0]
Typically offered: Periodic Fall & Spring
American art/culture from 1917 to 1940. Boom of post-WWI affluence, bust of stock market crash, Midwestern Dust Bowl. How tumultuous times influenced painting, sculpture, photography, and industrial design.
ARTH 5655 - African-American Cinema (AH, DSJ)
Credits: 3.0 [max 3.0]
Course Equivalencies: Afro 3655/ArtH 3655/ArtH 5655
Typically offered: Periodic Fall
African American cinematic achievements, from silent films of Oscar Micheaux through contemporary Hollywood and independent films. Class screenings, critical readings.
ARTH 1001 - Introduction to Western Art (AH)
Credits: 4.0 [max 4.0]
Typically offered: Every Spring
This course serves as a general introduction to key questions about the nature and history of art in the West from the prehistoric to contemporary eras: Who creates art and why? What unique insights does it provide into the past? And, finally, what good does art do? Organized around these three central questions, lectures, readings, and assignments will address several themes, central to understanding the history of Western art in a wider global context: (1) the forms, functions, and symbolism of images, objects, and spaces; (2) materials, techniques, and skills deployed by artists, architects, artisans, and laborers to make aesthetic objects; (3) the historical and cultural construction of visual experiences; and (4) customs, beliefs, and values associated with art production, collection, and exhibition in various cultures, including patronage, fame, trade, cross-cultural influence, authenticity, and reproduction.
ARTH 1002W - Why Art Matters (AH, GP, WI)
Credits: 4.0 [max 4.0]
Typically offered: Every Fall
Introduction to history of topics that investigate power/importance of art both globablly and in its diverse forms, from architecture and painting to video and prints. Sacred space, propaganda, the museum, art/gender, art/authority, tourism.
ARTH 1004W - Introduction to Asian Art (HIS, WI)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtH 1004W/1004V/1016W/1016V
Typically offered: Every Fall & Spring
This one-semester course is an introduction to painting, sculpture, and architecture from South, Southeast, and East Asia. It will cover works from ancient cultures to those of contemporary Asian diasporas. Resisting the impossible task of covering everything, we will instead home in on specific objects in order to understand them in their broader cultural, religious, and social contexts. We will trace the ways in which common themes and problems appear in different art forms and in different places, and we will discover the ways in which seemingly disparate styles and objects may be productively understood in conversation with each other. We will work together to create an interpretive model that is synthetic, critical, and appreciative of the enormously diverse field that is Asian Art. Lectures will move from explanatory descriptions of objects and histories that are covered in the textbook to critical interpretations of the historiographies that shape the contemporary reception of Asian art.
ARTH 1921W - Introduction to Film Study (AH, WI)
Credits: 4.0 [max 4.0]
Course Equivalencies: ArtH 1921W/CSCL 1201W/SCMC 120
Typically offered: Every Fall
Fundamentals of film analysis and an introduction to the major theories of the cinema, presented through detailed interpretations of representative films from the international history of the cinema.
ARTH 3014W - Art of India (AH, GP, WI)
Credits: 3.0 [max 4.0]
Course Equivalencies: ArtH 3014W/ RelS 3415
Typically offered: Every Spring
Indian sculpture, architecture, and painting from the prehistoric Indus Valley civilization to the present day.
ARTH 3015W - Art of Islam (AH, GP, WI)
Credits: 3.0 [max 4.0]
Course Equivalencies: ArtH 3015W/ClCv 3015W/RelS 370
Typically offered: Every Fall
Architecture, painting, and other arts from Islam's origins to the 20th century. Cultural and political settings as well as themes that unify the diverse artistic styles of Islamic art will be considered.
ARTH 3401W - Art on Trial (AH, CIV, WI)
Credits: 3.0 [max 3.0]
Typically offered: Periodic Fall & Spring
Why does art so often elicit anger, debate, protest, and vandalism? Arts controversies raise many difficult questions that this class examines: should artists be allowed to use taxpayer funds to create works of art critical of the government or that some find offensive? Should public sculptures commemorate Confederates, slave owners, or colonialists? How do we know when something is obscene? Is censorship ethical? Do artists have the right to control the fate of their work after it is sold? Who should decide what artists are chosen for public commissions, what artworks are selected for public buildings, or how works of art should be interpreted? Does public opinion make bad art? This course trains students in the history of arts controversies in the United States from the 19th century to the present and in the changing social conditions through which art has become a flashpoint for public debate. Assignments focus on discipline-specific research and writing techniques that build toward a group project in which students research, take up positions, and debate the merits of important case studies. The class is primarily designed for students to learn about the arts and arts policy today, i.e., the art world of which they are and will be citizens. They are asked to inspect the sources of dominant cultural beliefs and to gain a deeper understanding of and take responsibility for their own cultural, political, and artistic values.
ARTH 3434 - Art and the Environment (AH, ENV)
Credits: 3.0 [max 3.0]
Typically offered: Periodic Fall & Spring
Western art has a long tradition of depicting and directly engaging with the environment?from ancient earthworks such as Stonehenge and Avebury Stone Circle, to 18th and 19th century landscape paintings and 20th century photographs, to land and earth art of the 1960s and ?70s, and what is now called environmental or eco art. Such art has had a prominent place in art?s history, but do we really need art to save the environment? Studies repeatedly show that the arts are crucial to understanding and forestalling environmental disaster because, it turns out, human attitudes are shaped by the stories we tell, by our ability to imagine the unimaginable, to accept the inanimate as potentially coming to life, to picture things on a vast scale. In this course students learn the historical development of artistic movements from 1968, when the first exhibition of such art, called ?Earthworks,? took place at the Dwan Gallery in New York, up to the present day. The course tracks the changing aesthetic, political, and climatic forces that influenced such art, from the anti-institutionalism and participatory approaches of the 1960s to the more activist artistic engagement with environmentalism today. The class takes up two primary concerns: understanding the historical and scientific conditions that have given rise to such art and learning the ways in which artists have sought to intervene in and affect a changing environment. Students put historical knowledge, environmental research, and visual analysis skills to work in a culminating group project creating art that responds to a contemporary environmental problem.
ARTH 3464 - Art Since 1945 (HIS)
Credits: 3.0 [max 3.0]
Typically offered: Periodic Spring
The end of the Second World War is commonly understood as a watershed moment in art history when the center of western art shifted from Paris to New York and the old tradition of art academies and annual salons disappeared once and for all. It is a moment that sees dramatic changes in who artists are, how they are trained, what kind of art they make, and the audiences to whom they appeal. This course surveys U.S. and European art history from 1945 to the present so that students gain a thorough understanding of the social, political, and economic forces that contributed to the development of significant art movements including abstract expressionism, pop art, and minimalism, as well as key modes of artmaking including painting and sculpture, happenings, installations, video, earthworks, and participatory art. The course also trains students in philosophies of art and tracks the dramatic changes in aesthetics over the period. Primarily a lecture course, students? historical knowledge is assessed through two in-class examinations in which they identify, compare, contrast, and think critically about works of art. In addition, students practice discipline-specific research skills by compiling an annotated bibliography and writing short papers that rigorously examine primary sources.
ARTH 3921W - Art of the Film (AH, WI)
Credits: 4.0 [max 4.0]
Typically offered: Every Spring
This course will engage with the history of film as an art form through a selection of significant movements, styles, filmmakers, institutions, and, of course, individual films from around the world. While this will not be a comprehensive study, it will address both mainstream, commercial films as well as oppositional, experimental, underground, and otherwise challenging works. Some of the wide-ranging selection of films we will watch and discuss: Germaine Dulac?s La Coquille et le Clergyman (The Seashell and the Clergyman) (1922), Gillo Pontecorvo?s The Battle of Algiers (1966), Julie Dash?s Daughters of the Dust (1991), and Alfonso Cuarón?s Roma (2018).
ARTH 3896 - Directed Professional Experience
Credits: 1.0 -2.0 [max 2.0]
Typically offered: Every Fall, Spring & Summer
Internship or research assistantship in approved program, art institution, business or museum. prereq: instr consent
ARTH 3993 - Directed Study
Credits: 1.0 -4.0 [max 12.0]
Grading Basis: A-F or Aud
Typically offered: Every Fall, Spring & Summer
TBD prereq: instr consent
ARTH 5413 - Alternative Media: Video, Performance, Digital Art
Credits: 3.0 [max 3.0]
Grading Basis: A-F or Aud
Typically offered: Periodic Fall
One rather old and rigid concept in the history of art and aesthetics is that artistic media, each with its distinct qualities, are most successful when they remain separate. The best painting, according to this view, is one that explores its own properties of flatness, abstraction, and color. What became known in the first half of the 20th century as the philosophy of ?medium specific purity? was radically challenged in the 1960s when the differences between painting and sculpture were intentionally blurred and when new media (performance, body art, happenings, video art, installations and digital art) were introduced. This course seeks to understand how alternative media were developed not through the invention of new technologies nor in isolation, but through revolutionary modes of thinking about time and space, human and non-human life, machines, archives, cyborgs, and interactivity (some of which date back to the 18th and 19th centuries). Through assigned readings and discussions as well as structured essay assignments, the class provides students with extensive practice in the critical analysis of theoretical texts and ample experience synthesizing diverse intellectual ideas and arguments in written form. More broadly, through a creative ?timeline? assignment, the course seeks to teach students to think inventively about new media and their histories, to learn strategies for looking at, evaluating, and thinking about works of new media art. It also provides instruction in research techniques and resources in contemporary art, as well as on writing in art history.
ARTH 5422 - Off the Wall: History of Graphic Arts in Europe and America in the Modern Age
Credits: 3.0 [max 4.0]
Course Equivalencies: ArtH 3422/ArtH 5422
Typically offered: Periodic Fall & Spring
History/theory of creation of lithography, social caricature (e.g., Daumier, Gavarni), revival of etching (e.g., Goya, mid-century practitioners, Whistler), and color lithography (e.g., Toulouse-Lautrec, Vuillard, Bonnard). Media changes of 20th century. Revolutionary nature of new media.
ARTH 5466 - Contemporary Art
Credits: 3.0 [max 3.0]
Typically offered: Periodic Spring
The art of today as it is practiced around the globe takes a bewildering variety of forms?from traditional painting and sculpture to AI, interactive digital media, film projections, bio art (involving human, plant, and animal blood, tissue and DNA), participatory and community engaged projects, and environmental interventions. It addresses urgent social and political themes including globalization, institutionalized racism, climate crisis, big data, and mechanized vision. Just as today?s citizens should inform themselves about contemporary politics and current events, so is it crucial that we understand the art of our own time. In this course students gain an understanding of art?s development since the late 20th century and key ideas that are central to interpreting the art of this period. The course begins with a review of important movements, significant artists, and influential theories and issues. It then takes up and studies specific themes through the reading and analysis of theoretical texts. Students are asked to read, participate in class discussions, complete guided or independent research papers, prepare an in-class presentation on one of the course themes, and complete a book review for a textbook on contemporary art history. Each of these assignments is designed to impart specific historical knowledge about the period of the contemporary, to provide students with opportunities to practice critical reading and synthetic writing, and to offer them a chance to inspect their own positions regarding key debates.
ARTH 5766 - Chinese Painting
Credits: 3.0 [max 3.0]
Typically offered: Periodic Fall & Spring
Major works from the late bronze age to the modern era that illustrate the development of Chinese landscape painting and associated literary traditions.
ARTH 5777 - The Diversity of Traditions: Indian Empires after 1200
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3777/ArtH5777/RelS 5777
Typically offered: Periodic Fall & Spring
This class considers the development of Indian and Pakistani art and architecture from the introduction of Islam as a major political power at the end of the 12th century to the colonial empires of the 18th century. We will study how South Asia?s diverse ethnic and religious communities interacted, observing how visual and material cultures reflect differences, adaptations, and shared aesthetic practices within this diversity of traditions. Students in this class will have mastered a body of knowledge about Indian art and probed multiple modes of inquiry. We will explore how Muslim rulers brought new traditions yet maintained many older ones making, for example, the first mosque in India that combines Muslim and Indic visual idioms. We will study the developments leading to magnificent structures, such as the Taj Mahal, asking why such a structure could be built when Islam discourages monumental mausolea. In what ways the schools of painting that are the products of both Muslim and Hindu rulers different and similar? The course will also consider artistic production in the important Hindu kingdoms that ruled India concurrently with the great Muslim powers. In the 18th century, colonialist forces enter the subcontinent, resulting in significant innovative artistic trends. Among questions we will ask is how did these kingdoms influence one another? Throughout we will probe which forms and ideas seem to be inherently Indian, asking which ones transcend dynastic, geographic and religious differences and which forms and ideas are consistent throughout these periods of political and ideological change. To do all this we must constantly consider how South Asia?s diverse ethnic and religious communities interact.
ARTH 5781 - Age of Empire: The Mughals, Safavids, and Ottomans
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 5781/RelS 5781
Typically offered: Periodic Fall
Artistic developments under the three most powerful Islamic empires of the 16th through 19th centuries: Ottomans of Turkey; Safavids of Iran; Mughals of India. Roles of religion and state will be considered to understand their artistic production.
ARTH 5950 - Topics: Art History
Credits: 3.0 [max 9.0]
Typically offered: Every Fall, Spring & Summer
Topics specified in Class Schedule.
ARTH 5993 - Directed Study
Credits: 1.0 -4.0 [max 12.0]
Typically offered: Every Fall, Spring & Summer
This course provides a mechanism for advanced undergraduate and graduate students to work closely with a faculty member to plan their own course of study around a topic or topics of mutual interest that are not otherwise covered (or are not covered with the same level of depth) in the regular curriculum. In addition, the very task of designing the course?working with the faculty adviser to research the topic, decide on goals, outcomes, and assessments, and determine a sequence of readings, meetings, and tasks?is an invaluable exercise for the student. In general, the course may be designed as an intensive period of reading in key scholarly literatures in which the instructor has expertise or as an independent research project on a topic and with an outcome (such as an annotated bibliography, capstone paper draft, a qualifying paper, dissertation prospectus, exhibition proposal, or archive) that will serve the student?s future academic career. The course schedule, required readings, assignments, and assessments are worked out in advance and agreed upon by both parties in the ?Student/Faculty Contract for Independent/Directed Study,? to which is often appended a bibliography or plan of work. The contract is signed by the participants and approved by the appropriate departmental authority (e.g., the Director of Graduate Studies or Chair). prereq: instr consent
ARTH 3971W - Art History Capstone (WI)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3971W/ArtH 3971V
Grading Basis: A-F only
Typically offered: Every Fall & Spring
Capstone course for art history majors, which teaches writing skills and strategies, and aids students in the completion of senior paper projects through the study of art historical methods. Students work with both the class instructor and individual faculty advisers on independent research and writing. prereq: ArtH major, instr consent
ARTH 3971V - Honors: Art History Capstone (WI)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3971W/ArtH 3971V
Grading Basis: A-F only
Typically offered: Every Fall & Spring
Capstone course for art history majors, which teaches writing skills and strategies, and aids students in the completion of senior paper projects through the study of art historical methods. Students work with both the class instructor and individual faculty advisers on independent research and writing.
ARTH 3971W - Art History Capstone (WI)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3971W/ArtH 3971V
Grading Basis: A-F only
Typically offered: Every Fall & Spring
Capstone course for art history majors, which teaches writing skills and strategies, and aids students in the completion of senior paper projects through the study of art historical methods. Students work with both the class instructor and individual faculty advisers on independent research and writing. prereq: ArtH major, instr consent
ARTH 3971V - Honors: Art History Capstone (WI)
Credits: 3.0 [max 3.0]
Course Equivalencies: ArtH 3971W/ArtH 3971V
Grading Basis: A-F only
Typically offered: Every Fall & Spring
Capstone course for art history majors, which teaches writing skills and strategies, and aids students in the completion of senior paper projects through the study of art historical methods. Students work with both the class instructor and individual faculty advisers on independent research and writing.